Showing posts with label Pirates. Show all posts
Showing posts with label Pirates. Show all posts

Saturday, 19 May 2012

The Pirates! Band of Misfits (A Review)

Yup...they're pirates alright!
Aardman Animations: where to begin? When you think of quality stop motion animation, you think of these fine British blokes. Their Wallace & Gromit series is a critical and commercial smash, and their fabulous film Chicken Run might possibly be one of my favorite movies of all time...so in that regard The Pirates! Band of Misfits (aside from also having an irritating exclamation point in the middle of it's title) has a lot to live up to. Does it reach that benchmark set by it's predecessors? Short answer, no. Long answer, no but only cause what came before it was really, really good. Longer answer: well just read the rest of the review, pal.

The film follows a pirate captain cleverly named....er....The Pirate Captain (played by Hugh Grant) and his titular band of misfit pirates. The Pirate Captain, who's much too cheery to be a cut-through on the high seas, attempts to win the coveted pirate of the year competition after years and years of sucking at being a pirate. The twist here (and it really is a huge plot point that wasn't even hinted at in the trailers, so turn away now if'n ye care not for spoilers) is that they meet up with a young, lovesick Charles Darwin (surprisingly played by David Tennant, who I think should do more voice work in the future.) Darwin wants to use The Pirate Captain's pet dodo bird to win a fancy science competition and woo the pirate hating Queen Victoria (Imedla Staunton.) The plot sounds a little convoluted because...well...it is. But we'll get back to that in a bit.

Right now let's start with the good: this film looks awesome. It's classic Aardman character design, with their classic insane amount of detail in each scene. The animation is charming and impressive, especially in a chase scene (something Aardman studios seem to excel at from past features) midway in the film that starts at the top of a mansion and ends up on the city streets and mostly takes place in a bathtub. That sequence alone is worth the price of admission if you ask me. It's not only very creative, but masterfully animated.

However, noticeable modern shortcuts do rear their heads, both in animation and in music. There's a notable amount of added CG elements, mostly with water and other special effects which, as a stop motion purist, I cry foul. But what can you do? Aardman has successfully dipped their toe in the CG waters with fully CG flicks like Flushed Away and Arthur Christmas, so it's not like their CG division is going anywhere. And yes, animating this much spot-motion water would be really, really really, really hard/impossible. But you can't deny that even though it takes an insane amount of work compared to the compter generated route, practical effect will always be more interesting to watch and have more character then digitally added ones. Especially on a stop-motion feature like this where the GC doesn't quite match the clay art-style. But maybe I'm just being a little bit too curmudgeonly old fashioned, so I'll just move along from this issue.

Yes, water's pretty impossible to animate in stop-motion. You win this round movie.
What personally irks me a bit more is this film's liberal use of modern music. It's one thing to have present day speech and current jokes in a period setting, but for some reason if there's more then one modern rock song in a movie that takes place in a classical setting it just pulls me out of the experience. And I'm sorry, just sticking in the Flight of the Conchords song "I'm Not Crying" during a sad montage might work if you didn't know the song existed beforehand, but if you do, it just feels a little lazy.

It's Victoria Day Weekend here in Canada! Celebrate by killing a pirate!
None of these points are deal breakers for me though. I'm definitely picking at nits here, so let's dip right into the thick of this movie and talk about the characters. Hugh Grant: he's awesome. He steals the show as The Pirate Captain, bringing a loveable, ridiculous buffoonery to our central protagonist. That's both good and bad. On the good we have this awesome and loveable character fully ready for hilarity and goofy pirate gags, and on the bad he totally outshines any and all other characters in the film. The only other characters that can hope to compete is the over the top madness of Queen Victoria with her inexplicable rage-filled pirate prejudice, and possibly Charles Darwin's monkey butler (who happens to have some of the best gags of the film.) Darwin himself is decent and serves the plot well, so there's really not much to complain about there. What I do have to complain about is every other side character. The other pirates competing for pirate of the year? Bland and forgettable. One gag ponies who serve as obstacles with faces for our main protagonist. The Pirate Captain's crew? Bland and forgettable. While they all have their own visual quirks (a guy with gout, an albino, and my personal favorite, a woman in a fake beard) none of them really have any stand out personality defining character moments except for The Pirate Captain's second in command (played by Martin Freeman) with his bromance with the captain. Other then that, the titular band of misfits didn't really do anything interesting or impacting...at all.

Speaking of not interesting, let's talk about their pet dodo bird. Sweet Jimmy Crickets, this bird was dull, and that's kind of a big problem. Actually, this unlikely character is the perfect example of this movie's shortcomings. Let's for a moment compare the bird from Pirates! Band of Misfits (named Polly, by the way) to Kevin, the bird from Pixar's Up.
The fight of the feathered MacGuffins!!
Both are flightless birds who serves as the main MacGuffin that both the bad guys and the good guys want to get their grubby little paws on. The deference is I cared about the outcome of Kevin when I didn't give two shits about Polly. Why? Because the acting with Kevin was so likeable. She was a character with her own personality and we, as an audience, fell in love with Kevin just as the characters did. On the other hand, we're told that Polly is the beloved mascot of the pirate ship and they all adore her. But being told we're supposed to love someone isn't enough to rouse an emotional response. Polly shows no real character, no real motivations, and is really just a dumb clueless bird. Which could be funny if it was played up or if most of the plot didn't revolve around her. But they didn't play it up, and the plot does revolve around her. When Polly is in peril, I really just don't care about her. And there in lies the major problem I have with the plot.

A band of misfits they are! But don't get attached, the movie's not about them.
As the plot goes on, we're rushed from one location to another and the main goals of the characters also change quite frequently from scene to scene. It all gets a little unfocused. Thematically, we're supposed to remember the overarching goal of The Pirate Captain winning the pirate of the year competition is what's driving all this action, but sadly the goal of keeping the Pirate Captain's ego afloat doesn't make much of an intriguing investment for an audience member. So emotionally we're supposed to remember deep down it's the Pirate Captain's connection with his beloved crew that is the important motivation for driving the action, but that also is hard when his crew (including the dull dodo) hasn't really made any connection to us, the audience. As a result, by the time we reach the story's climax there doesn't seem like there's very much as stake, which is the last thing you want to be thinking during the third act of one's movie.

Truth be told, I hate to harp on this movie. And despite my ramblings, it may surprise you that I did enjoy this film quite a bit. There were so many good jokes (and good clean jokes at that, which is so much harder to write,) the visual humour was spot on, and the gags all hit their targets. I just feel with a little more heart and soul between the characters (especially from the captain's crew, and not just his bland second in command) this movie could have been up there with Wallace & Gromit levels of awesomeness.

Hugh Grant as The Pirate Captain: hopefully we'll see him again.
The Pirates! Band of Misfits is a misleading title, as it deals very little with the titular band of misfits. In fact, in the UK the title is The Pirates! In an Adventure with Scientists, and while that title is certainly odder (are arguably less marketable) than the US version, it does more accurately convey what we're going to see on the big screen. Actually, in a weird way this movie kind of feels like a sequel to a hypothetical better movie. There's so many characters that they don't spend time developing, other characters the movie assumes we already are invested in, and there's numerous mentions of bigger (possibly better) adventures this crew has been on. Aardman has gone on record staying they would like to continue this series, which would explain the odd placement of punctuation in the film's title. And frankly, I would kind of like a sequel! It would give us an even better chance to get acquainted with these characters who, I felt, didn't quite live up to their potential the first time. I think these characters would benefit even more from the episodical nature of a TV show more, but hay! Stop-motion takes a while, and a TV show would probably work their animators to death (or at least work them until their social lives were ruined.) So I say huzzah to this film! She may not be perfect, or be as memorable as her older stop-motion siblings, but this little misfit is still good enough to see with your family for a round of hardy laughs.

3/5

- Moo

Friday, 30 December 2011

2012: The Animation Apocalypse (Or Anipocalypse?)

The holiday season is nearing an end. I hope you all got that special gift you wanted, and gained several jolly pounds from absorbent amounts of feasting. It seems there’s only one thing left to do: ring in the new year! But looky what we have here! It’s the year 2012. And if Roland Emmerich films are to be believed, we’re rapidly approaching the end of the world. Crapballs. 
Well, if the end of the world is coming Dec 21, 2012, there’s really only one question I have…what’s my final year of animated films looking like? So I’m gonna do a quick look ahead at what animated goodies are on the horizon before the ol’ apocalypse, and quickly give my early opinions of each flick. Let’s see if this final year on earth is a worthwhile one for the animation fan! YEAH!


Beauty and the Beast (3D) - Jan. 13
We start out this doomed year by looking back on a classic love story. It’s arguably one of the most beloved animated movies ever; Disney’s Beauty and the Beast get’s a brand new shiny 3D re-release thanks to the top notch ticket sales of The Lion King’s 3D run. Really, my thoughts on this is the exact same as my thoughts on The Lion King in 3D. I’m not going to theatres because it’s in 3D; I’m going cause this is an amazing film. I always found the choice to use 3D on hand drawn animation odd… It’s almost like holding a beveled piece of paper infront of another piece of paper. Exciting, non? Beauty and the Beast is only one of many previous Disney and Pixar movies slated to get the 3D re-release treatment. It’s a shame we won’t get to Finding Nemo! Damn, pesky apocalypse…


The Secret World of Arrietty - Feb 17
Oh snap! We get a Studio Ghibli film before the apocalypse? Sign me up! Yeah, I know this movie was already released in other parts of the world; this is just the dubbed version. And yeah, typically in anime I’m a “subs b4 dubs” kind of man, but honestly Ghibli’s dubs are probably the best I’ve seen in anime. So yeah. I’m excited about this. Plus it’s based on The Borrowers! That just adds to the cool. Will I watch this in theatres? You bet! Will I watch it in the original japanese once I get ahold of my own copy? Also you bet. 


The Lorax - Mar 2
Eeeehhhhh…maybe…I don’t know….just maybe…it won’t suck. I’m hopeful…but I also have this deep seeded feeling that this movie is gonna suck hard. Ok listen. I’m a huge Dr. Seuss fan, but film adaptations of his works range from pure crap to “I didn’t hate that.” The latter being Horton Hears a Who, whom the writer of also wrote the script for this film. And a lot of people working on this also worked on Despicable Me. Hey, I didn’t hate that either! And Danny DeVito as The Lorax? Well, that sounds like perfect casting. Keeping my finger’s crossed on this one… Prove me wrong movie! Prove me wrong!


The Pirates! Band of Misfits - Mar 30
One thing I am grateful of is the amount of stop motion flicks before total global annihilation. Seeing as how long it takes to complete one of these films, it’s nice that these years of blood, sweat and plasticine won’t go to waste. And leading the bunch is the brits with Aardman Animation returning to their stop-motion roots, but without the talents of Wallace & Gromit and Chicken Run director, Nick Park. Park’s absence is a bit off-putting, especially cause the characters are clearly modeled in his style. Regardless, the movie looks like a blast, and Aardman pretty much always delivers the goods. And hey! It’s pirates! They’re still popular, right guys? …guys? …whatever, I’m excited. 


Dorothy of Oz - May…??
No film on this list is as much a wild card as Dorothy of Oz. Slated to release…May-ish…all we have to go on this one is the knowledge that it’s a sequel to The Wizard of Oz and it’s a musical. No trailer to be seen, but there’s some gorgeous concept art. Let’s just hope May-ish is accurate and this one reaches the 2012 mark. T’would suck to enter the apocalypse without even knowing more about this movie. My curiosity on this one knows no bounds!


Ice Age: Continental Drift - July 23
Really? They’re making more of these? Sigh… well what else to say? I liked the first Ice Age, but this Dreamworks franchise is almost as guilty as The Land Before Time for prehistoric themed unwanted sequels. Almost. Also, isn’t the titular “ice age” already over in this franchise? That title really doesn’t make any sense anymore. Ahh, who am I kidding. Do I really care? No. Will I see this movie? Probably not. Compile a version that only has the Scrat scenes in it, and maybe we’ll talk.


Madagascar 3: Europe’s Most Wanted - June 8
Speaking of Dreamworks and sequels nobody asked for…TA-DAH!! I don’t know…I’ve never really enjoyed this franchise. It seems to embody everything that people criticize Dreamworks Animation to be: a loud annoying film littered with animals doing things animals don’t normally do while making pop culture references abound. I expect nothing less. Also, like the pre-stated ”age of ice,” why is this franchise still called Madagascar? They haven’t been there since the first film. I know, branding and shit, but seriously Dreamworks! If you plan on having umpteenth animated sequels, you should have more foresight in naming your franchises. Seriously. 


Brave - June 22
Now this is more like it! After what many people consider Pixar’s first stumble with Cars 2, I think they’re in need of something very special to get them back into the grove of churning unfiltered dreams into animated gold. And Brave looks very special indeed. It’s a lot of firsts for Pixar: their first female lead character, their first time in a fantasy setting, their first…um…family of gingers? Regardless, this looks epic beyond belief. And it’s not a sequel! Or a remake! Just take my money, Pixar! Just take it! (Also, where in the world are they going to hide the Pizza Planet truck in this movie?!)


ParaNorman - Aug 17
Watch out Tim Burton! There’s more than one stop-motion, slightly creepy, animated movie coming out this year! Trying to jump on board with the same vibe as CoralineParaNorman follows a boy who can see and talk to ghosts as he’s tasked to save his town from a curse. Sounds fun to me! I don’t know the directors or writers of this one, so it can’t really fall back on credentials. But with so many movies being remakes and sequels, I’m always willing to give something new a shot. 


Frankenweenie - Oct 5
I have a love/hate relationship with Tim Burton. His early stuff is the stuff of goth kids’ wet dreams (that’s a compliment, by the way.) Vincent is still one of my favorit animated shorts, ever. But as time went on, I cared less and less if the Burton name was on a project. It didn’t help that most projects he directed were just remakes or reinterpretations of already existing franchises or stories…just making them more “twisted.” (Which, in Tim Burton land, means adding black and white stripes and spirals.) Luckily, Burton is finally getting back to his roots…by remaking his own shit. Ok, to be fair, even though there’s no trailer yet, this film, based on a live action short Burton directed early in his career, looks pretty damn cool. It’s classic Burton style with a classic Burton love of all things weird, creepy and fun, while still playing homage to classic horror movies. Don’t let me down this time, Tim. Hot Topic needs more t-shirt designs, after all. 


Rise of the Guardians - Nov 21
No trailer on this one either, and I knew nothing about this movie, so I consulted my good friend, IMDB, and it said, “Santa Claus, the Easter Bunny, the Tooth Fairy, Jack Frost and the Sandman band together to form a united front against the Bogeyman.” …soooo…it’s an holiday animated version of The Expendables? …this is either the greatest, or the worst idea for a movie…ever…there is no middle ground here.

And that’s all the theatrical animated releases before the ol’ end-o-days. Overall thoughts? …I’m actually pretty pumped! If this was my last year of animated goodness, we have some great variety in styles (hand drawn, CG, and stop-motion are all accounted for.) And on top of that, we also have a surprising balance between new and old (as in re-releases, remakes or just plane sequels.) There’s plenty of animated goodies I’m looking forward to before the apocalypse for sure! So I’m just gonna bringe on these forthcoming animated treats, and enjoy the apocalyptic ride. Bring it on, 2012!

Happy New Year folks!
- Moo