Showing posts with label Moo Cartoon. Show all posts
Showing posts with label Moo Cartoon. Show all posts

Saturday, 1 February 2014

Top 10 Animated Horses

Special mention to the horse from "What's Opera Doc" for being fantastic

Chinese New Years just ended, and 2014 marks the year of the horse! Because of this event, and because the internet likes lists (my Top 10 Animated Dragons article is still one of my most popular blog entries) I present to you my top 10 animated horses! Because why not!

Yup plain and simple, the horse character has been around pretty much as long as animators needed to do a 4-legged walk cycle, but these horses, in my opinion, go above and beyond their colt brethren to become the best of the best! I'm only looking at horses represented in animation (comics and video games are a neigh,) and only 1 entry per franchise. Points for horses with memorable personalities, cool design, or just something funny or interesting about them. So without further ado, let's get started!

10) Bullseye (Toy Story)


It's kind of a played out cliché in western animation: if you want to make an audience connect with a non-human character, make it act like a dog. People love dogs. Whether it be objects, like a lamp in Luxo Jr., or more recently a moose in Frozen, dog mannerisms are always a sure fire way to instantly love a character, even if you don't pick up right away that this thing, that is clearly not a dog, is acting like a dog.

Horses, being a reoccurring companion to hero characters, are no stranger to being "dogified," but Bullseye from the Toy Story franchise is definitely the least subtle about it. From jumping up and licking people on the face, to his fierce loyalty, I in fact find Bullseye's dog-like behaviour to be even a little too on the nose. However, what saves Bullseye from being cut on this list is the way he's animated. Being a toy horse, Bullseye moves with the same lanky, rag-doll movements that his owner Woody does. It's this extreme acting and overshooting action that makes Bullseye fun to watch for me. His animation kinda reminds me of the Camel with the Wrinkled Knees from Raggedy-Ann and Andy...but, you know, more energetic...and not as depressing...and also not a camel...

9) The Headless Horseman's Horse (The Legend of Sleepy Hollow)


Most of the time animated horse characters are companions to the archetypal hero. Usually they're kind, bright, loyal, or as mentioned before, dog-like. Very rare do we get a truly terrifying beast of a horse....but that's what we got here!

The Headless Horseman from Disney's The Legend of Sleepy Hollow (one of two shorts on Disney's film The Adventures of Ichabod and Mr. Toad) is a superbly animated force of terror. His pursuit of Ichabod in that short is a great blend of fun and scary, and of course it would be nothing if he wasn't racing along on his manic horse from Hell! (May not actually be from Hell, the ending's a bit vague.) With his blood red eyes, this horse means business...and in this case, business is killing you! Because after all, what's the Headless Horseman without a horse?? Just...."The Headless," and that's not nearly as scary. So points for evil Hell horse for being different, and being an essential part to an awesome villain.

8) Khan (Mulan)


Okay, not all of these are Disney horses, I swear!! But I felt I needed to put Khan in here somewhere. Not as memorable as other horses on this list, or even as memorable a character in this movie, but I really liked Khan because this horse was so...well...horse-like. There was very little "dogifing" like other animated horses, yet he still had a very distinct personality. He was a warhorse. A horse who is serious and brave; the perfect companion for Mulan to ride into battle! And on top of that, the character design of this horse is truly awesome. He looks very muscular, with such a thick neck, but skinny legs. Plus the style of drawing on Khan goes with the movies Chinese painting motif, making this horse a unique looking entry to the list. Not as memorable, but I think cool enough to make it to number 8. 

7) James Baxter the Horse (Adventure Time)


Jaaammes.....Baaaaxteeeer!
Hurray!! It's time for some animation inside jokes!! So...

To those not in the know, the Adventure Time episode "James Baxter the Horse" might seem odd. The plot is there's a horse named James Baxter who balances himself on a beach ball while saying his name in a horse whiney-like way. Whenever anyone sees James Baxter the Horse, they get so happy that they forget all their troubles. Finn and Jake see this, and they try to emulate what James does, but they just can't seem to spread cheer the same way James Baxtor the Horse can, even outright failing.

Folks watching this episode might have some questions like, "who the hell thought up this plot?!" or "why is that horse really, really well animated?!" Well, the answer to that last question is because legendary animator James Baxter (animator on films such as The Lion King, Beauty and the Beast and The Hunchback of Notre Dame) guest animated the titular horse (as well as provided the neighing of his name.) The quality of animation on the Horse is so much more detailed compared to the simplistic and stylish characters that normally populate Adventure Time, it really does cheer people up, both in and out of the show. But even more to that, if you read between the lines of this episode, it could be a metaphor for a wishful animator (maybe even Adventure Time creator, Pendleton Ward) wanting to be as good as these classic Disney animators. However, failing to reach that quality of work, they just have to appreciate the work they do and embrace their own style and techniques. But hey! That's just how I read the episode. Maybe I'm not supposed to read too much into a show where a horse balances on a beach ball...but hey! At least that's a good segue to...

6) Spirit (Spirit: Stallion of Cimarron)


Maaaaatt Daaamooon horse
Yes, James Baxter (the animator, not the horse) was the supervising animator on the titular character from Spirit: Stallion of Cimarron (there's your reason he was a horse in Adventure Time! Ya happy now??)

Now, I know a lot of people haven't seen this movie...and let me say, if you want some beautiful animation, check this shit out! Oh man! Most of it is stunning sweeping shots, amazing scenes of running horses, and just jaw dropping animation. And it's one of the few 2D animated features done at DreamWorks Animation, so that alone makes it a unique feature. Like Khan from MulanSpirit's horses are more realistic in their horse animation. In fact the main character, Spirit, doesn't talk or make pop culture references, or anything! Well...there is internal horse monologues provided by Matt Damon, but still!

Now, to be fair, the character of Spirit is a bit bland, but in my book you can still get to number 6 on this list if you just look really awesome. And yeah...the animation, again, is just really awesome. If you missed this film and are craving the traditional hand-drawn animation of yesteryear, track this one down. 

5) Derpy Hooves (My Little Pony: Friendship is Magic)


Ermahgerd! Mah lerttle perner!
Ok, you knew there had to be at least one mention to My Little Pony on this list, right? And I know technically this entry is a pegasus, not a "horse" per say but you know what? Fuck it. It's my list. If I want a wing-a-ling pony on my list, gosh darn it I'm gonna have my wing-a-ling pony! And truly, out of all the My Little Pony characters I could have put on this list, no character is as "special" as the fan named character Derpy Hooves. 

As the tale goes, this grey background pony appeared in the first episode of the series with inexplicable crossed eyes. Was it a slip up? A layout artist having some fun with the background characters? Who knows! But pony fans loved this goofy background character, dubbing her with the moniker "Derpy Hooves." But wait! It gets better! The show's creator, Lauren Faust, loved the fan reaction so much that the character was brought back, messed up face and all, to be hidden in future episodes! Starting with their second season the cross eyed wonder played the role of "Where's Waldo." Eventually, even the character name "Derpy" became cannon within the series! Finally Derpy made her way into an episode in a talking role, even being called by name. But of course, controversy over if this character was poking fun at the mentally handicapped was brought up (which, you know, is totally a legit complaint,) and since then all official mention of this character's name was removed. However, love for the pony formally known as Derpy still persists. Even after they removed her name from episodes, Hasbro released a special edition 2012 Comic-Con figure of Derpy just for the fans! The figures don't have the name of the character anywhere on the package...but we all know who she really is...we all know... (PS, it's Derpy.)

4) Horace Horsecollar (Mickey Mouse)

Ohhh...Mr Horsecollar... What happened to this character?! At one point he was pretty much Mickey Mouse's best friend and sidekick! Mickey frickin' Mouse! And hell! This rubber hosed horse even has the honours of being co-created by the same duo that made that massively marketable mouse: Ub Iwerks and Walt Disney! And Disney himself originally voiced Horace, much like when Mickey first got to speak! So I ask again...what happened to him?!

I guess the easy answer is he just got pushed aside. Other Disney side characters Goofy and Donald were, in many ways bigger and more interesting personalities than good ol' Horace. Horace wasn't as dumb as Goofy, or as temperamental as Donald. So even though he was still featured in groundbreaking Mickey Mouse shorts like "The Band Concert," this "cheerful know-it-all" character just remained on the sidelines of Disney history. He remained more prominent as a side character in the Disney comics for a while, acting as a detective partner with Mickey, but even that faded away eventually. I've always had a soft spot for this relatively obscure character though. And hey! We're even beginning to see a reemergence of Horace! Whether it be self-referential about his obscurity in the Epic Mickey video game series, his role as the technician on the TV series House of Mouse, or as a main character in the 2014 short that appeared before Frozen in theatres, Get a Horse, we're seeing a lot more of Horace! Could this be the triumphant return to form for one of animations long-lost sidekicks?? ....no....probably not. But still! It's cool that he's still around. Keep on truckin' Horsecollar. Keep on truckin'.

3) Twinkles the Wonder Horse (Dave the Barbarian)


Ok, if you haven't seen Dave the Barbarian, you should probably get on that. One of the, in my opinion, many underrated Disney saturday morning cartoon shows from the early 2000s, Dave the Barbarian was created by Doug Langdale (creator of The Weekenders) and Savage Steve Holland (creator of Eek! The Cat) and the result is...strangely a perfect blend of those two shows, but with a fantasy setting. It's weird, I know, and by all accounts I would say that wouldn't be a good mix of styles but...surprise! The show is actually really hilarious. It parodies tropes and clichés commonly found in fantasy, has a biting and oftentimes brilliantly sarcastic script, and features some wonderfully strange side characters. For example, the minor character Twinkles the Wonder Horse. A girly looking horse with a beautiful pink and yellow mane who talks like Christopher Walken and has a extreme case of depression.

...yeah...the jokes just write themselves. Twinkles the Wonder Horse: nuff said. 

2) Maximus (Tangled)


This character made this movie for me. Not to say Tangled isn't a good movie. It's fine. It has a nice fairytale plot, an interesting villain, decent songs, yadda, yadda, yadda. But this horse! My God this horse! This took me by surprise!

There's been so many horse characters from Disney, but Maximus stands out to have the most unique and fun personality of the bunch. Charged with the task of hunting down the thief Flynn Rider, Maximus quickly proves that he's more capable than the captain of the guards who's riding him. And this is where we see the sheer determination of Maximus. He's on a one-horse mission! His persistency won't let up! He's an unstoppable force! Like The Terminator....but a horse!! And that premise alone leads to some of the funniest jokes and scenes in the movie. Much like other horse characters, many dog-like characteristics are given to Maximus, but what makes Maximus even more hilarious is when they give him human-like acting to do. Actions such as shaking hands, or sword fighting (a horse in a frickin' sword fight!) just become that much more hilarious when it's animated with a regal, fairly realistically designed horse.

And hey, that leads perfectly too...

1) Mr Horse (The Ren & Stimpy Show)


Truthbomb time: I'm not a huge fan of Ren & Stimpy. Even as a kid, I just found it too juvenile. I know I'm in the minority here, but I don't know. Gross out humour never really appealed to me. And that, for the most part, was a lot of what Ren & Stimpy had to offer. But I watched it anyway. I have no idea why. It was...mesmerizing? Confusing? A bit of both?

And once in a while, a moment will catch me off guard. Sometimes a pose, or a drawing would be so wacky, so off model, so detailed in weird ways, that it would be beautiful in a strange way. And of course, sometimes there were jokes that still, despite my feelings for the show, just made me laugh. And thus we have Mr Horse, voiced by John K himself.

Mr Horse is one of those jokes that, again, baffle me. I don't even know why I love this guy, but maybe it is because, compared to the rest of the animals on Ren & Stimpy, Mr Horse looked more like a realistic horse, and stands out from the crowd simply by looking normal (relative to the rest of the cast, that is to say.) And on top of that his mannerisms as so very human. The way he talks, the way he dresses. We've seen horses acting like dogs to cute effects. We've seen horses kinda acting like humans for hilarious effect. Well here's a horse who straight up acts human in every way, and it's hilarious. The juxtaposition is so ridiculous, but he acts so serious. It's a simple joke, but for some reason, he stays in my thoughts and is the #1 horse I think of when I try to think of animated horses. 

And hey! If you don't agree with me and my list, at least Mr Horse has the perfect response for you.




Happy Year of the Horse, folks!

- Moo

Sunday, 12 January 2014

Frozen (A Review)

Gosh darn, Disney!! You do not know how to market your own shit!!

This movie isn't about the snowman...if you can believe it...
I was all set to hate on this movie. I had a whole "Disney doesn't know what they're doing no more" rant prepared and everything! The previews looked dumb, the characters looked bland, the tone felt like it was trying way to hard to be "hip" (that's what the kids are saying nowadays, right? "Hip?") I just had a bad feeling about Frozen. Hell, even with the one word adjective title, it felt like I've seen all this before. I even referred to Frozen as "Tangled on ice" for the longest time leading up to this film. Well, as it turns out Disney still knows what they're doing... but Disney's marketing department doesn't know how to market this movie at all. Which is weird, cause you'd think this would be an easy sell. It's a classic Disney formula, involving huge influences from the "Broadway sensibility" that the 90s "Disney renaissance" era brought to animation, but with some awesome twists and turns that make Frozen stand out on it's own and actually ends up being a truly unique fairy tale flick. In other words: DON'T TRUST THE PREVIEWS GUYS! THIS FILM IS ACTUALLY PRETTY GOOD GUYS! REALLY!

Elsa also gets a sweet ice dress that shows off her legs... damn grrrl!
The film is loosely adapted in typical Disney fashion (in other words, incredibly loosely) from the Hans Christian Anderson fairy tale The Snow Queen. In Frozen, the plot follows the characters of Anna and Elsa, two sisters who are princesses of the kingdom of Arendelle. The older sister, Elsa, is born with mysterious powers to create ice and snow. One day while playing with Anna as a child, Elsa accidentally strikes Anna in the head with her magic. The King and Queen are able to save Anna's life, but as a result they had to remove any memories of her sister's power, and keep the two sisters separate until Elsa can controls her powers. Unfortunately (and since this is a Disney movie) the parents die in a storm, leading to Elsa to become the queen. At Elsa's coronation she looses control of her ice abilities, takes off into the isolation of the mountains, and covers the kingdom in an eternal winter. This leaves Anna to go on a Wizard of Oz-like quest, meeting up with fun side characters along the way, to eventually try to meet and talk to her sister and hopefully find a way to bring back summer.

What could possibly go wrong! ...oh yeah....ice powers...
And that's only the first act! The script does a great job introducing all of this backstory in a entertaining way. But more importantly, it in no way feels forced. What's even more impressive is that once Anna starts playing the "Dorothy" role in their quest, things still don't go as predictably as you might think from a Disney flick. It's not a typical fantasy quest, as there's no dragon to slay, no evil kingdom, no big baddy at the end. There's just two sisters trying to patch things up between them.

And there in is the biggest change to the Disney formula: this is a story about two sisters. That's kind of a big deal. (And not just cause Disney can add not one, but two more entries into their highly profitable "Disney Princess" lineup.) It's amazing because the focal point for this whole story isn't about finding romance. In a Disney princess movie! It's not about romance! That is just crazy!! I mean, there is love interests in there, and they play a part in the plot, but it really takes a back seat to the true focus of this story. This film is about family. The familial love is what pushes the story forward, and the complex sister relationship is something that is not only not seen in a Disney animated feature, it's a relationship that isn't really prevalent in Hollywood movies in general. So kudos on that call Disney. Ya did good.

Professor X recruits Elsa in the Frozen 2...hopefully...
That leads me to talk about my favorite part of the film: Elsa. Oh man, do I love this character. It's wonderful to get a Disney character who is not good, not evil, just a confused shade of grey. She's far and wide the most interesting personality in this film as she's in a position where she wants to be a good sister and ruler of the kingdom, but bad things happen because of her and her uncontrollable powers. She lives in a world that hates and fears her (just like the X-Men!) and she doesn't even know how to stop what she's doing (just like the X-Men!) It's a coming of age super-power metaphor for puberty (just like....ah, you get it...) In fact, as Elsa finally lets loose her powers during her big power song "Let It Go," you can really feel her happiness and freedom in what is probably the best musical number in the film both thanks to the jaw dropping effects animation of Elsa building her ice castle, and the singing power of Broadway star Idina Menzel (who you may know as Elphaba from Wicked....wow, just clueing in that there's a lot of Wizard of Oz similarities going on in this film...neat.)

Oh yeah. And by the way, this is a musical. Surprise! Didn't know it was a musical because the previews didn't even mention this fact? Well...yeah! This is a musical. In fact, music is a huge part of this film. Kind of a big thing to sweep under the rug, Disney marketing! And maybe if you embraced it, more people would be inclined to see this frickin' film! Because, surprise-surprise, the songs are pretty awesome. But whatever, Disney marketing, I'm sure you know what you're doing. ...aaaanyway...

Did someone ask for an EPIC SONG CUE?!

The music is terrific. Much like 90s Disney films employed Broadway familiar employees of the time, here we're treated with some fun musical numbers with a very modern sensibility. Along with getting Wicked flashbacks from Idina Menzel's performance, the songs are penned from Robert Lopez, known for his comedic writing from Avenue Q and The Book of Mormon. And while of course writing for a Disney movie means no raunchy or inappropriate comedy like in those musicals, there's just a huge sense of fun, excitement and at times epic scale to the musical numbers. They're big, loud, exuberant and the centrepieces for all the major plot points. And in my opinion, that's exactly what I want from my Disney flick.

They got different hair! ....that's...somethin'...right?
Now, you might think I've pulled a complete 180 degrees on my opinion of this movie compared to my opinion of its previews, and truth be told, that's not entirely the case. I was in awe with the amazing background designs (especially Elsa's ice castle,) but the character designs...meeeh. There's really no denying the character designs play it a little on the safe side, in that the style is very similar to Tangled. Which wouldn't be a bad thing, but I felt at least in Tangled we got more of a variation between characters, with more unique personalities just from the designs. Elsa and Anna's faces have only tiny variations between that of Rapunzel's (and each other's for that matter.) And while I enjoyed the moose character, Sven, acting like a dog, there's no denying that he was trying to fill that animal sidekick role that the horse in Tangled already did so well (as well as having a much more unique personality.) All in all, most human characters I think could have been designed more interestingly, or with a dash more creativity. True it's a safe design choice, and it's not that bad, but I just kinda wish they'd push the envelope design-wise a bit more.

Graduate of the Lindsay Bluth school of dance 
On the animation side, it's looking good, but I think could've been better. There's a couple of standout character animation performances, one of which being the charmingly clumsy Anna, whose movements are absolutely beaming with personality. Other characters I kinda wished for more animation to convey more of a personality, such as the lead males, Kristoff and Hans (not bad animation mind you, just a little bland.) Then way on the other hand, there's this random Duke character, who is waaaay over the top and cartoony. It seemed like this character was forced in order to get some comic relief in there with his quick pace and awkwardly spastic movements. I know he was trying to be funny, but this character's cartoony animation didn't really fit in with the other, more realistically, animated human characters. But with that said....the effects! Oh man! The effect animation on this flick is just frickin' amazing. The snow looks amazing, and you can really tell they did tests and research on the stuff to make sure this icy wonderland looked brilliant.

Damn it snowman...you've warmed my icy heart...
Now I know what you're thinking: "you're almost finished your review, and you didn't even mention the snowman!" Yes, the snowman. Olaf. That oddly designed, obvious comedic relief that Disney has been forcing down people's throats as the main icon in their ad campaign for this movie. I thought I'd talk about Olaf last because, in many ways, he kind of embodies perfectly how I felt about this film. Going in it felt like he was forced. Really forced. Like Disney said, "you're going to watch this snowman...and you're going to love him...LOVE HIM DAMN IT!!" And I was all set to "stick it to The Man." I was totally going to reject this false snow icon! Here I thought I was gonna hate the snowman, but upon seeing him...damn it. I kinda love him. True, sometimes his antics were a little irritating, but mostly I found him charming, funny, and even a little heartwarming. And that, in and of itself, is how I see Frozen as a whole: charming, funny and even a little heartwarming. I admit that, like the townspeople who judged Elsa harshly because of her powers, so too did I judge this movie before I saw it. So please, ignore how Disney markets this movie. Ignore the fact that they're awkwardly trying to hide Disney's musical roots, or how they're not showing that this is a unique story about two estranged sisters. Just go see it for yourself and be the judge. For me, it was a great example of classic Disney storytelling tackling a new type of fairy tale for a new audience in a new age.

I guess that'll teach me to judge a snowman before I get to know him.

4/5

- Moo

Friday, 21 June 2013

Monsters University (A Review)

Wowie! It's been a while!

Oh yeah. The character design department must've had fun!
It's been 12 years since the original Monsters, Inc., which was the 4th feature produced by Pixar in 2001. It was about the time when Pixar was really hitting their stride as a studio and right before the insane boom Pixar had with Finding Nemo. And even though the characters were charming and the film did well (pretty much becoming instant classic with both kids and adults) there really wasn't any need for a sequel. Not only did they finish all of the main character's story arcs, but it also solved the world's great energy problems in a fun and satisfying way. So the only logical way to bring back Mike and Sully to the big screen would be through a prequel. And so we take our main characters back to their college days, before they were top employees at Monsters, Inc., and when they were unknown students at Monsters University.

Mike's wisely at the forefront this time around.
For those not in the know, our two main characters are James P. Sullivan (aka Sully) and Mike Wazowski (John Goodman and Billy Crystal) who meet for the first time while attending school to learn how to become scarers. Scarers are monsters who enter children's rooms and scare them because they need those children's screams to power their way of life (wow, it's kinda a weird concept now that I've actually written it all down like that, but whatever. It works.) The tricky part is because this is a prequel, we already know exactly how it's all going to end. That said the film does a commendable job at keeping me guessing on how it's going to get there by having these characters start off in such a different places during Monsters University comparatively to the first movie (personality and relationship wise.) While Sully was definitely the heart and focus of Monsters, Inc., it's clear Monsters University is all about Mikey. Here Mike is an enthusiastic nerd with big dreams of becoming a scarer despite not being all that scary himself, and Sully is a lazy jock-like jerk who forgoes hard work and coasts through his classes mostly relying on his family's reputation and his natural talents.

Oh shit...just look at him! Something bad's gonna happen to this guy...
The two start off hating each other, so the film is all about how they grow to eventually become the inseparable duo we know from Monsters, Inc. It's great fun to see these two interact with each other in a new and interesting way. Not to spoil too much, but their rivalry is not only the cause of the film's major conflict, but it grows to a point where if they don't at least cooperate together, neither of them will get what they want. And once the movie ends and we get to familiar territory, it all felt like everything tied together nicely, and every piece of the puzzle finally landed in the right place. Even Randel, the villain from Monsters, Inc. voiced by Steve Buscemi, got a quick little backstory, and while they could have found a way for him to be more involved in the overarching story of this film, it was still a joy to see how he got to be so villinous.

The brothers of Oozma Kappa!
It's pretty much impossible not to compare this movie to Monsters, Inc., so let me get this out there right now: no, this movie isn't as good as Monsters, Inc., but it is really good in it's own right. Monsters, Inc. had a lot of unique things going for it that this movie just can't have because it is a prequel. Things such as the stakes being much higher in the original and the clever themes and parallels to real world energy problems. That and the "adorable factor" brought on by the human child Boo couldn't possibly be featured in this movie (due to her not even being born yet,) so don't expect any of that, which is a shame because she was one of the most memorable parts of the first movie. But you know what Monsters University is? It's fun. Hands down fun. It's a smaller, personal tale, but it's a fun one that has plenty of clever jokes for both adults and kids, and memorable characters and moments. The college setting allows for the writers to work in tons of references to college focused comedies like Animal House and Revenge of the Nerds. And it checks off all the college movie stereotypes in fun and wonderfully designed new monsters, such as the stuffy, no-nonsense dean (played by Hellen Mirren as some millipede/dragon hybrid) and the preppy, jerky frat-boy (played with wonderful ego from Nathan Fillion.) But the best gems are the new characters featured in Sully and Mike's fraternity "Oozma Kappa," which features an abundance of memorable moments from the charming "losers on campus." My favorite being Art, a newage philosophy major monster played by Charlie Day, who doesn't contribute anything of relevance to the plot, but has some great oneliners and his design is so much fun and different compared to the rest of the cast (he's like a fuzzy, purple slinky with a face! Brilliant!) Close second is Joel Murray's character, Don; a mature student whose optimistic attitude would almost put Ned Flanders to shame. Really the characters are why you come to see this movie; they're crazy fun in both their appearance  their acting, animation and their writing.

So is this Pixar's deepest film? Definitely not. Even with a very poignant 3rd act and a surprisingly dramatic monologue from Billy Crystal's Mike, its themes don't nearly resonate as deeply as something like Wall-E, UpRatatouille, the Toy Story franchise, or even Monsters, Inc. But is it one of Pixar's funniest films? Well... actually, probably. It's up there! Director Dan Scanlon doesn't have many productions under his belt, but he really managed to make this a creatively fun feature with some genuinely hilarious visual humour and even some much needed heart to this story. So if you want a fun time, something to just take your mind off and watch some enjoyable animation, this is definitely a good one to see. And while it's not as great as Pixar in it's heyday  it's definitely a step up from what they've been producing in recent years.

And at the very least, hey! At least it's not another Cars sequel!
...ugh...

4/5

- Moo